Gibson Introduces the 2008 Les Paul Standard
“There are only two guitars, as far as rock and roll goes,” says
guitar legend Joe Walsh. “Of those two guitars, I always come
back to the Gibson Les Paul. Everything else is great, but nobody
has ever topped the Les Paul. In 50 years, no one has built a
better guitar.”
Thousands of players and guitar collectors
share Joe’s sentiments and consider the
late ’50s Gibson Les Paul Standard the
best electric guitar ever made. The list
of guitar icons who have recorded timeless
classics with this guitar is staggering
– Duane Allman, Dickie Betts, Mike
Bloomfield, Eric Clapton, Billy Gibbons,
Peter Green, Gary Moore, Jimmy Page,
Keith Richards and Gary Rossington, to
name just a few. From its perfectly proportioned
curves and stunning materials
to its incredible playability and exceptionally
expressive humbucking pickups, the
Gibson Les Paul Standard remains the
standard by which all other electric guitars
are judged.
Now, 50 years after releasing the sunburst
Standard, Gibson is setting its sights on
producing the greatest Les Paul ever
made – the 2008 Les Paul Standard.
Many of the crucial elements that made
the Les Paul Standard a classic, such as
its mahogany body topped with a slab of
maple, remain true to the original formula,
but Gibson has made numerous improvements
and enhancements to take the
2008 Les Paul Standard’s performance up
quite a few notches above its already lofty
heights of excellence.
One of the most notable enhancements
is the use of an enlarged neck tenon,
which is specifically designed to provide
maximum wood-to-wood contact between
the neck and body. This design results in
outstanding, acoustic-like resonance that
enables the guitar to deliver lively, responsive
performance that only gets better
when the guitar is plugged in. With the
mahogany neck joined to the mahogany
body as if they were one continuous piece
of wood, the 2008 Les Paul Standard produces
rich, warm harmonic overtones
with deep, resonant bass, perfectly balanced
out by the crisp, articulate attack,
lively treble and near endless sustain generated
by the carved maple top.
Gibson’s Tune-O-Matic bridge made its
debut on the Les Paul Standard. The
TonePros locking Tune-O-Matic bridge
and stop tailpiece featured on the 2008
Les Paul Standard look identical to the
original units, but locking set screws
keep the bridge and tailpiece fixed
securely in place to provide optimum
tonal transfer between the strings,
bridge and body.
When designing the neck for the 2008
Les Paul Standard, Gibson set out to
provide the perfect balance between
the thick, beefy tone produced by fat
mid-’50s-style necks and the speed and
playing ease of a slim late-’50s/early
’60s neck. The result of their effort is an
ergonomically designed asymmetrical
neck profile that is thicker at the low
strings and skinnier at the high strings,
providing enough mass to ensure powerful
bass and impressive sustain, but
thin enough for guitarists to play lightning
fast runs with as little resistance as
possible. This neck profile fits perfectly
into the palm of the player’s hand to
provide a comfortable, natural feel.
To ensure that the 2008 Les Paul
Standard’s playability is as perfect as
possible when the guitar is shipped,
Gibson uses the revolutionary new
PLEK system to determine the optimum
action for each guitar as it comes
off the line. Each guitar is placed on
a computer-controlled PLEK machine
that measures the neck and each fret
with incredible accuracy. After analyzing
numerous factors, such as the height
of each fret from the fingerboard, each
fret’s radius, the fingerboard radius,
neck pitch and relief, nut and bridge
alignment and more, it files, dresses
and finishes each fret with surgical precision.
Finally, the machine cuts the nut
for ideal string spacing and slot height.
The result is a guitar that plays perfectly
right out of the box with the fastest,
most comfortable action imaginable and no buzzing or fretting-out.
“When a guitar comes out of the PLEK
machine it’s extremely playable,” says
Matthew Klein of the Gibson Custom
Shop. “I’ve handed guitars right off the
line to top players and session guitarists
who were skeptical at first until they
played the guitar themselves. They can’t
believe how great the action feels!”
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In addition to choosing the best quality
wood they can find to build each guitar,
Gibson has developed a special chambered
body for the 2008 Les Paul Standard
that keeps the guitar at a comfortable
weight and enhances the model’s tonal
character. Strategically placed tone chambers
are carved out of the mahogany
body to provide improved natural acoustic
resonance while still maintaining the rich,
punchy solidbody tones that the Les Paul
is known for.
The original late ’50s Gibson Les Paul
Standard is also known for its pair of
PAF (patent applied for) humbuckers,
considered by many players to be the
Holy Grail of electric guitar pickups. The
BurstBucker Pro pickups featured in
the 2008 Les Paul Standard deliver the
same tonal characteristics as an original
PAF humbucker – sweet, singing highs,
throaty, vocal-like mids and fat, beefy bass
– with perfect balance and uncanny clarity.
Alnico 5 magnets and unmatched bobbin
windings provide that distinctive PAF bite,
while wax potting eliminates feedback
caused by coil windings vibrating against
each other at high volume levels. These
medium-output humbuckers produce
shimmering, crystal-clear clean tones as
well as articulate, well-defined overdrive.
The 2008 Les Paul Standard’s beauty
isn’t just skin deep, as Gibson paid as
much attention to its internal wiring
and components as they did to the
craftsmanship of its exquisite body
and neck. Case in point is the custommade,
gold-plated Bourns potentiometers
mounted inside the control
cavity. From the second you adjust a
volume or tone knob, you’ll notice a
smooth, slinky feel that compares to
the controls on audiophile or pro studio
equipment. These controls provide
pinpoint accuracy and they’re built to
deliver a lifetime of noise-free performance
– say goodbye to scratchy static
and unpredictable volume dropouts.
Even humble, often overlooked features
like the tuners have received a major
upgrade. Locking Grover Rotomatic
tuners with internal cam locking string
posts automatically lock the strings as
you tune, to provide foolproof, set-it-andforget-
it tuning in less than one revolution
of the string post, which allows you
to tune your guitar exceptionally quickly
even when you change strings. The 18:1
gear ratio gives you incredible fine precision
to ensure exceptionally accurate
and true tuning.
To please everyone from vintage “purists”
to modern-minded players, Gibson
offers the 2008 with a choice of either
a traditional flamed maple or plain
maple top and seven finish options. The
nitrocellulose lacquer finishes on all
2008 Les Paul Standard models provide
a thin, protective coat that allows the
wood to vibrate naturally, and produce
pure, unadulterated tone. This is the
same finish process that Gibson has
used since the 1890s, which has given
them plenty of time to refine the process
and turn it into an art.
Even with all of these new innovations
and enhancements, the 2008 Les Paul
Standard remains true to the essence of what made the late ’50s Les Paul great
in the first place. When it comes to tone,
playability and even visual beauty, the Les
Paul Standard is as appealing now as it
was when guitarists first discovered it in
the ’50s. With original classics selling at
prices well into six figures, the 2008 Les
Paul Standard offers players an incredible
opportunity to own a modern classic that
will surely be as revered 50 years from
now as vintage Les Pauls are today.
“I’m really proud to be involved with
the introduction of the new Les Paul
Standard,” says Joe Walsh, who not only
developed his own distinctive voice on
the instrument, but also sold Jimmy Page
the 1959 Les Paul that became Page’s
#1 guitar. “Jimmy was having trouble
finding a good Les Paul back then. I
had two, so I sold him one of mine. He
used that Les Paul on the bulk of his
work with Led Zeppelin. Once you get
used to a Les Paul it becomes your axe
from then on. Les Pauls are like that.
Once you find your personal Les Paul,
that’s it.”
Fortunately, today’s players don’t need
to search as hard as Jimmy Page did
to find their own #1. Just visit Guitar
Center for the biggest selection of 2008
Les Paul Standards available anywhere.
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